Things I've Learnt from Watching My Favourite Doctor Who Stories : Part 47 - The Aztecs
47: The Aztecs
A cup of cocoa works wonders!
Who knew that the way to an Aztec woman's heart was a cup of cocoa? Well, obviously not the first Doctor, who in this early adventure from the first season, accidentally asks for the hand of an elderly lady by making her a cup of hot chocolate. Big mistake? I should cocoa!
It's just one of many wonderful character moments in this beautifully made early historical, set in one of the most bloody-thirsty civilisations in history. It's fair to say, that most of the things I know about Aztec culture have stemmed from this four part adventure, written by John Lucarotti, thereby achieving the aim of the historical stories as a way of educating as well as entertaining.
The TARDIS lands inside a tomb and Barbara is mistaken for the reincarnation of the high priest, Yetaxa, basically as a result of thinking fast to save her life. It's Barbara's story, as a history teacher she knows what the Aztecs are like and now sees her opportunity to change them. This brings her in opposition with the Doctor who famously tells her she "can't rewrite history, not one line!"
As the series goes on, we will see he's a fine one to talk, and indeed in less than a year, he'll be giving Nero the inspiration to burn Rome to the ground and changing their own future history to avoid being exhibits in a Space Museum. But here under the cautious eye of writer Lucarotti and script editor David Whittaker, the party line is absolutely no interference in history.
If this story was done in the new series, the clash between the Doctor and Barbara would be far more severe with the Doctor vowing to stop her. Possibly had this story followed immediately after the Edge of Destruction, it's feasible that Hartnell's Doctor would have said the same. Without the several months of journeying alongside Marco Polo where their relationship developed, the clash could, realistically, be much more severe and damaging. It's a fascinating "what if" scenario but fortunately the bond between the two is far stronger and less histrionic.
The dialogue between the Aztec characters is poetic, written and performed in a cod-Shakespearian style but it works well. John Ringham as Tlotoxl goes the full Richard III while Margot Van der Bergh is gentle but wise as the Doctor's betrothed, Cameca.
The relationship between the Doctor and Cameca, is charmingly written and performed. For the Doctor's first romance, it's innocent but believable and gives Hartnell the opportunity to show his softer side. Initially the Doctor is flirting with her to get information, but Cameca is equally wily, bringing cocoa beans to their meeting for the Doctor to unwillingly make a drink and propose to her. Their romance however is the first of something that will become a recurring event throughout the show's history, although arguably the 21st century version of the show is much more explicit about it. From Romana to Grace, to Rose and most recently, Yaz; the Doctor's not allowed to love. At least not in the conventional sense. The age difference and species difference (although not established until well after this story) make it impossible for the Doctors to love their companions and also, it's not what the series is all about, well not to a lot of fans.
So the Doctor says goodbye to Cameca and breaks her heart - and perhaps his too! Just before the TARDIS departs, we see the Doctor leave the brooch Cameca gives him and he heads for his ship. But not before he turns round, changes his mind and picks it up again. The next time we see him, he's at the controls, alone. It's a rather sad image, the Doctor alone and impassive, as if keeping his true feelings in check. It's as if we're being reminded that the adventures must go on.
And 60 years later, they do go on. But this one is still there to remind us that the Doctor can be lonely just like us, and be heartsbroken just like us too. It's a beautiful moment and one to cherish in this anniversary list.
Next time: Science comes with responsibility
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